Baroque Turin in Study Sketches

Piedmontese Baroque architecture – indeed any Baroque architecture – never figured widely in the drawings prepared by nineteenth-century architects on study tours of Italy. With the increasing availability of open access digitized image collections, one can search and compare thousands of such sketches and more formal studies in repositories such as Gallica, the architecture museums of the TU Munich or TU Berlin*, and the Massachusetts Digital Commonwealth collection. These sheets typically depict monuments of classical antiquity, the medieval period, or the Renaissance, but occasionally one finds examples recording Baroque buildings or urban ensembles.

A selection of such rare representations of Baroque Turin follows, including two cases of medieval / Baroque hybrid structures: Palazzo Madama, and Juvarra’s upper story and attic for the cathedral bell tower.**

Palazzo Barolo

Nohl Maximilian (1830-1863), Palazzo Barolo, Turin: Perspektivische Innenansicht. Bleistift auf Papier, 20,6 x 30,7 cm (inkl. Scanrand). Architekturmuseum der Technischen Universität Berlin Inv. Nr. 13931.

Nohl Maximilian (1830-1863), Palazzo Barolo, Turin: Perspektivische Innenansicht. Bleistift auf Papier, 20,6 x 30,7 cm (inkl. Scanrand). Architekturmuseum der Technischen Universität Berlin Inv. Nr. 13931. Public domain mark.

Palazzo Madama / Castello

Nohl Maximilian (1830-1863), Palazzo Madama, Turin: Ansicht. Bleistift auf Karton, 12,2 x 17 cm. Architekturmuseum der Technischen Universität Berlin Inv. Nr. 13895.

Nohl Maximilian (1830-1863), Palazzo Madama, Turin: Ansicht. Bleistift auf Karton, 12,2 x 17 cm. Architekturmuseum der Technischen Universität Berlin Inv. Nr. 13895. Public domain mark.

Stiehl Otto (1860-1940), Skizzen- und Fotoalbum 4: Palazzo delle due torri, Turin: Details. Bleistift auf Papier, (inkl. Scanrand). Architekturmuseum der Technischen Universität Berlin Inv. Nr. 57189,008.

Stiehl Otto (1860-1940), Skizzen- und Fotoalbum 4: Palazzo delle due torri, Turin: Details. Bleistift auf Papier, (inkl. Scanrand). Architekturmuseum der Technischen Universität Berlin Inv. Nr. 57189,008. Public domain mark.

Palazzo Civico / Piazza Palazzo di Città

m_digitam_0892584 Zanth TUM

Karl Ludwig Wilhelm von Zanth, “Mercato delle Erbe” in Turin
Source: Architekturmuseum der TU München, Signatur zant-1-27 , CC BY-NC-ND 4.0

[Turin_Palazzo_Civico]_Labrouste_Henri_btv1b85536903

Henri Labrouste, Plan de la Municipalité de turin [sic] et de la place du Marché qui la précède, from Voyage en Italie, 1825-1830
Source: Gallica /Bibliothèque nationale de France

Castello del Valentino

Labrouste BnF

Henri Labrouste, Le Valentin, près Turin, from Voyage en Italie, 1825-1830
Source: Gallica / Bibliothèque nationale de France

B1975.4.1931

Edward Lear, “From the long alley’s latticed shade”; Turin, (Italy.), after 1872. Not an architect, Lear prepared this drawing for his edition of the poems of Alfred, Lord Tennyson
Source: Yale Center for British Art. Public domain.

Palazzo dell’Università

[Turin_Musée]_Labrouste_Henri_btv1b8553696k (2)

Henri Labrouste, Musée [entre les] Contrada del Po [et] Contrada della Zecca, from Voyage en Italie, 1825-1830
Source: Gallica / Bibliothèque nationale de France

Palazzo Trucchi di Levaldigi

[Turin_Palazzo]_Labrouste_Henri_btv1b85536955

Henri Labrouste, Palais [à l’angle de deux rues, dont la] Contrada di S. Carlo, from Voyage en Italie, 1825-1830
Source: Gallica / Bibliothèque nationale de France

Campanile del Duomo

Green, Campanile, Turin, Digital Commonweath

James C. Green, Campanile, Turin, c. 1891
Source: Boston Architectural College Library / Digital Commonwealth, CC BY 3.0

* * *

Notes:

* Kudos to the Architekturmuseum der TU Berlin for its recently implemented public domain policy and the convenient metadata attached to its image files.

** I have consciously omitted from this selection the numerous drawings of Turin available in the Joconde database by the French artists Prosper Barbot and Pierre-Adrien Pâris, and may return to them in the future.