Antico/Moderno. Parigi, Roma, Torino 1680-1750

Research Project Website Online

For the past two years, the Fondazione 1563 per l’Arte e la Cultura has supported the research project Antico/Moderno. Parigi, Roma, Torino 1680-1750, which comprises several different strands of historiographic inquiry on the baroque, all coordinated by the scientific directors Michela di Macco and Giuseppe Dardanello. It has been a privilege for me to be involved in this stimulating initiative with such an inspiring group of scholars.

As the various working groups gradually wrap up their activities, the Fondazione 1563 has launched new webpages describing the research and presenting the resulting outputs. The project homepage outlines the components of the initiative. Each component, in turn, has its own webpage. Additional pages document the research outputs, in the form of videos and publications. To date, these include:

Conference Videos: Fortuna del Barocco in Italia. Le grandi mostre del Novecento

For those who missed the conference Fortuna del Barocco in Italia: Le grandi mostre del Novecento in November 2016, all introductions, papers, and responses from the meeting may now be viewed in fourteen videos. A separate volume of conference proceedings is forthcoming in the series Quaderni di Ricerca of the Fondazione 1563.

The opening remarks for the conference (video below) by the late Rosaria Cigliano, president of the Fondazione 1563, are particularly poignant after her premature death last month.

The conference examined issues concerning the reception of Baroque painting, sculpture, and architecture in twentieth-century exhibitions in Italy, with a special emphasis on Piedmont. For a summary of the conference contributions, see my earlier post on the subject.

Video Reconstructions of Historic Exhibitions, 1937 and 1963

The project component Barocco in Piemonte – Barocco in Europa: a cinquant’anni dalla mostra del 1963 involved several scholars working together with a seminar of students at the Università di Torino in order to reassess the history, historiography, and reception of the two large exhbitions of Piedmontese baroque art and architecture organized by Vittorio Viale in 1937 and 1963. Under the guidance of Sara Abram and Giuseppe Dardanello, the students worked to reconstruct the nearly forgotten exhibition of 1937, and compare it with the intervening evolution of the field as manifested in the second exhibition twenty-six years later. A forthcoming volume in the series Quaderni di Ricerca will publish this work, along with additional framing essays by established scholars.

Abram and Dardanello presented initial results of this research at the conference Fortuna del Barocco in Italia in the form of videos reconstructing the two exhibitions. The Fondazione 1563 has made both films available online as well as a third video introducing the reconstructions (below).

La Riscoperta del Seicento. I libri fondativi

The first in a series of six volumes produced by the Antico/Moderno teams, La Riscoperta del Seicento. I libri fondativi, edited by Andrea Bacchi and Liliana Barroero, publishes the contributions to a three-part seminar held in Rome in spring 2016. Covering the late nineteenth through late twentieth centuries, each of the sixteen essays revisits a fundamental text of the art and architectural history of the Baroque, and situates it within the international historiography on the period.

For more information, view the publisher’s flyer or the table of contents.

More to come…

Stay tuned in the coming months for additional research outputs from this initiative.