EAHN 2020: Call for Sessions and Roundtables

European Architectural History Network Sixth International Meeting
Edinburgh, Scotland, 10-13 June 2020

Although I have stepped back from active involvement in the European Architectural History Network (EAHN), I am happy to note and share information about the preparations for the organization’s next biennial conference in 2020. After earlier international conferences in Guimarães, Brussels, Turin, Dublin, and Tallinn, the sixth edition will take place in Edinburgh. If you have been considering organizing a panel or roundtable on any aspect of architectural history – from antiquity through medieval, early modern, or modern and contemporary – this offers an excellent opportunity!

From the conference website:

Call for Session and Roundtable Proposals

The European Architectural History Network is delighted to announce its next biannual meeting at the University of Edinburgh, UK, 10-13 June 2020. In accordance with EAHN’s mission, the meeting aims to increase the visibility of the discipline of architectural history, to foster transnational, interdisciplinary and multicultural approaches to the study of the built environment, and to facilitate the exchange of research in the field. EAHN is a European organisation, but its intellectual scope is global, and the meeting welcomes proposals on any architectural historical topic. As well as topics on any aspect of the built environment, proposals on landscape and urban history are also very welcome, along with proposals dealing with the theories, methodologies and historiographies of architectural history.

Proposals are sought in two basic formats: (1) a Session, and (2) a Roundtable debate. A Session should consist of 4-5 paper presentations, with a respondent, and time for dialogue and discussion at the end. A Roundtable debate should be an organised as a discussion between panel members, and the format would suit topics of particular urgency, or contemporary relevance. Roundtables should also aim to activate audience discussion as far as possible. Sessions and Roundtables may be chaired by more than one person.

Anyone wishing to chair a Session or a Roundtable debate at EAHN2020 are invited to submit proposals by 31 December 2018. Chairs should make clear whether their proposal is a Session, or a Roundtable.

Please note that EAHN is self-funding, and chairs are expected to provide all their conference expenses, including travel and accommodation.

Deadline: 31 December 2018
Please visit the conference website to submit a session proposal, or for further information.

Upcoming Conference: Spaces of Early Modern Architectural Production

Elizabeth Merrill has organized the upcoming conference Spaces of Early Modern Architectural Production at the Max Planck Institute for the History of Science in Berlin. The conference forms part of a working group on the topic that began with a video conference last fall, and will continue after the conference with a members-only workshop.

I am looking forward to participating with my talk “Network Structures: Exploring the Architectural Spaces of the Theatine Archipelago,” and hearing the other talks with interdisciplinary perspectives at the intersection of history of architecture and history of science.

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From the conference announcement:

The Max Planck Institute for the History of Science (MPIWG), Main Conference Hall,
Boltzmannstraße 22, 14195 Berlin, Germany

Thursday, May 17, 2018

Registration deadline: May 14, 2018

The Spaces of Early Modern Architectural Production

Concept

Space is essential to architecture. In contrast to painting and sculpture, architecture
is fundamentally defined as a spatial construct, taking form not in two dimensions
or three, but four. Architecture – as a direct product of its spatial dimension – is also
fundamentally experiential and social. The theoretical conception of space – the
understanding of space as a social product – provides a systematic, yet expandable
language for examining the production of architecture – the processes, materials,
structures, knowledge systems and people integral in the making of architecture.
To the extent that the concept of space facilitates such avenues of investigation,
this conference pursues these insights in regards to architecture of early modern
Europe.

Conference Program

9:00 – 9:30 Welcome & Registration

9:30 – 9:45 Introduction

Prof. Dr. Jürgen Renn (MPIWG)
Director’s Welcome

Elizabeth Merrill (MPIWG)
Introduction to the Conference

9:45 – 11:15 Panel I

Noam Andrews (New York University)
Towards an Architectonics of Outer Space

Ludovica Galeazzo (Duke University)
“Conquest” and Construction of an Urban Space: the Insula dei Gesuiti in Venice in the Early Modern Period

Susan Klaiber (Winterthur, Switzerland)
Network Structures: Exploring the Architectural Spaces of the Theatine Archipelago

11:15 – 11:30 Coffee

11:30 – 13:00 Panel II

Wolfgang Lefèvre (MPIWG)
Architecture on Paper: Development and Functions of Architectural Drawings in the Renaissance

Sebastian Fitzner and Paul Brakmann (Freie Universität, Berlin)
Spaces of architectural knowledge: The model collection and “Kunstkammer” of Johannes Faulhaber (1580-1635) in Ulm

Elizabeth Merrill (MPIWG)
Model Book Production & Architectural Education in Fifteenth-Century Siena

13:00 – 14:00 Lunch

14:00 – 16:00 Panel III

Federico Bellini (Università degli Studi di Camerino)
Architecture for Music: sonorous spaces and furnishings in sacred buildings of the Roman Renaissance and Baroque

Stefan Holzer (ETH Zürich) and Nicoletta Marconi (Università degli Studi di Roma Tor Vergata)
Construction and restoration scaffoldings development between 17th and 19th Century in Europe: case studies in Italy, France and Germany, and their interrelationships

Merlijn Hurx (Universiteit Utrecht)
“The most expert in Europe”: knowledge production and innovation in specialised
building technologies in the seventeenth-century Dutch Republic

16:00 – 16:30 Coffee

16:30 – 17:30 Panel IV

Anthony Gerbino (University of Manchester)
Architectural Knowledge as Spatial Practice: Geometrical Survey in Sixteenth-Century France

Edward Triplett (Duke University)
Drawing Borders with Castles and Maps – Making Sense of the 16th Century Livro das Fortalezas

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Please RSVP to emerrill@mpiwg-berlin.mpg.de by 14 May 2018

Image above from my talk: Frontispiece to Girolamo Vitale, Lexicon Mathematicum, 2nd ed. (Rome: Vannacci, 1690).
Source: Internet Archive / public domain

Rosaria Cigliano Fellowship Program

Fellowships on the Age and the Culture of the Baroque, 2018 Edition

Once again, I am delighted to share this information about the fellowship program for emerging scholars in Baroque studies run by my friends at the Fondazione 1563 per l’Arte e la Cultura in Turin. This year, the fellowship program has been renamed in memory of the late president of the Fondazione 1563, Rosaria Cigliano, who died in December 2017. The topic for the 2018 edition is “Landscape and Nature (1680-1750).” Please use the links below to learn more, and address any questions directly to the Fondazione 1563.

* * *

The Rosaria Cigliano Fellowship Program aims to assign individual fellowships to promote original studies on the Age of Baroque, also in an international comparative perspective.

Research proposals for the 2018 call will need to pertain to the following theme:

Landscape and Nature (1680-1750)
A fundamental indicator of the variation of cultural aspirations between the late Seventeenth and the mid-Eighteenth century is the representation of the natural world and the landscape. The Seicento is the century of scientific breakthroughs and sees the formulation of new theoretical canons of representation of nature, through a doctrine that aims to amend natural features and thus to improve on them. As modernity gains momentum, in the Eighteenth century nature reclaims its centrality and authoritativeness with a great variety of outcomes in the European centers of literary, philosophical, artistic, musical, and architectural production, where the new priorities combine, connect, mitigate and find liberation from the sedimentation of earlier traditions.

The competition is open to researchers born after 1st January 1983 holding a university or master’s degree, or other equivalent degrees, issued by an Italian or equivalent foreign University.

Priority will be given to applicants holding a PhD or equivalent from an Italian or foreign university.

Applications will be submitted exclusively using the forms available online and following the procedure indicated on the Foundation’s website under Chi siamo/Bandi/Procedure in corso/Borse di Alti Studi 2018 at www.fondazione1563.it.

Applications must be submitted by 22 July 2018 at h 24.00 (midnight).

Important: For the complete Notice of Competition for the fellowships, consult the PDFs in English or Italian.

Deadline 22 July 2018

Building Trades in Seventeenth-Century Bologna

Francesco Curti, Virtù et arti essercitate in Bologna (Trades Practiced in Bologna), Plate 6 (Building Trades), mid-17th century.
Los Angeles County Museum of Art (LACMA), M.69.7.1g / public domain
CLICK IMAGE TO ENLARGE

This print – one of a group of twenty depicting various trades – provides an excellent overview of the different kinds of workers found at an early modern construction site. Here, the specific context is mid-seventeenth-century Bologna, and the artist Francesco Curti illustrates around a dozen specific jobs, most conveniently labeled.

Misuratore and architetto: detail of above image

The range runs from the foppish architect – identified as “architetto” on the sheet of paper he holds – through the masons (“muratori”), painter (“imbianchitore”), stonecutter (“tagliapietre”), and unskilled manual laborer (“manouale”) apparently mixing mortar. Other figures include donkey drivers (“asinari”), a sawyer (“segantino”), a kiln operator (“fornasaro“), a plaster maker (“gessaruolo”), and a carpenter (“falegname”). Many of these vocational designations varied regionally – for instance, the “tagliapietre” was elsewhere known as a “scalpellino” – but the jobs performed were similar all across Italy.

The man standing to the left of the architect is most likely a misuratore, a building surveyor who measures the completed work for calculating the materials used and thus the costs. He holds his attribute, the measuring rod, but is not explicitly labeled with his occupation. Nonetheless, his role was central to the successful practical and financial administration of the building site.

The image gives an unusual glimpse into an active cantiere in Seicento Italy, and can serve as a valuable illustrated glossary for countless construction documents of the period.

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Do note the related plate with artists – painter, sculptor, relief carver, and engraver – but also merchants, soldiers, artillery specialists, and a letter carrier!

Entangled Histories, Multiple Geographies Proceedings Published

Papers from EAHN 2015, Belgrade

Most of the papers presented in October 2015 at the European Architectural History Network regional thematic conference Entangled Histories, Multiple Geographies are now available in the conference proceedings. At just over 300 pages, the proceedings include thirty-seven papers, many with numerous illustrations.

Contributions consider chronologies from ancient, medieval, and early modern through modern and contemporary, with topics examining issues such as cultural transfer, historiography, restoration, identity, and the politics of conflict. The conference featured a distinct emphasis on central and eastern Europe, as well as the eastern Mediterranean region, although other geographies were also represented.

Click here to download the EAHN 2015 proceedings.

Fellowships on the Age and the Culture of the Baroque

Deadline 16 July 2017

I am delighted to share this information about the fellowship program for emerging scholars in Baroque studies run by my friends at the Fondazione 1563 per l’Arte e la Cultura in Turin. The topic for this year’s edition is “The Portrait, 1680-1750.” Please use the links below to learn more, and address any questions directly to the Fondazione 1563.

* * *

The Fellowships Program aims to assign individual fellowships to promote original studies on the Age of Baroque, also in an international comparative perspective.

Research proposals for the 2017 call will need to pertain to the following theme:

The Portrait
Mandatory formulas, fortunate source of various models, vehicle of the affirmation of new directions in the narration of identity and in the culture of representation for figures, places, and contexts. The theme of the Portrait (as a genre, a product, an allegory, a testimony, and a memory) may be applied to various disciplines connected to historical, political, philosophical, musical, literary, historical-artistic, and historical-architectural culture, also with regard to art collecting, museology, art literature and treatises. The research proposal, unpublished and original, will need to focus on the period 1680 to 1750, it may follow a diachronic or synchronic approach depending on the scientific requirements of the project.

The competition is open to researchers born after 1st January 1982 holding a university or master’s degree, or other equivalent degrees, issued by an Italian or equivalent foreign University.

Priority will be given to applicants holding a PhD or equivalent from an Italian or foreign university.

Applications will be submitted exclusively using the forms available online and following the procedure indicated on the Foundation’s website under Bandi/ Borse di studio sull’Età e la Cultura del Barocco 2017 at www.fondazione1563.it.

Applications must be submitted by 16 July 2017 at h 24.00 (midnight).

Important: For the complete Notice of Competition for the fellowships, consult the PDFs in English or Italian.

Fortuna del Barocco Conference Recap

The following material, mostly pulled from social media, offers a glimpse of the proceedings at the conference Fortuna del Barocco in Italia: Le grandi mostre del Novecento held in Turin last week (28-29 November 2016). Click here for the conference program. Thanks again to the conference convenors, Michela di Macco and Giuseppe Dardanello, as well as the Compagnia di San Paolo and the Fondazione 1563 per l’Arte e la Cultura for organizing and sponsoring such a stimulating event.

Monday, 28 November 2016

diana-trionfatricediana-logo

triumphbaroque

Tuesday, 29 November 2016

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600europeo

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ideabellobreveideabello2

The screening of a film documenting the legendary exhibition L’idea del Bello. Viaggio per Roma nel Seicento con Giovan Pietro Bellori (Rome, 2000) concluded the conference, before the closing discussion.

Postscript

Histories in Conflict: Cities | Buildings | Landscapes

Jerusalem: panoramic view taken from the Mount of Olives, photograph by Joseph Philibert Girault de Prangey Source: Gallica / Bibliothèque nationale de France

Jerusalem: panoramic view taken from the Mount of Olives, photograph by Joseph Philibert Girault de Prangey
Source: Gallica / Bibliothèque nationale de France

EAHN 2017, Jerusalem: Call for Papers

Van Leer Jerusalem Institute, Jerusalem
13-15 June 2017

The European Architectural History Network is pleased to announce its Third Thematic Conference Urban Histories in Conflict. On the 50th anniversary of the Israeli occupation of East Jerusalem and the contentious unification it legislated, the conference aims to open up questions about the purpose of writing histories of urban conflicts. We ask how can historians account for the predicaments of violence and uneven distributions of power in the built environment, particularly in the face of current worldwide geo-political crises.

Download the full call for papers or consult the EAHN website for the latest conference updates.

Key Dates: abstract submission by 2 December 2016, full papers due by 1 May 2017.

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Reminder:

The EAHN Fifth International Meeting (Tallinn, 13-16 June 2018) Call for Session Proposals deadline is 12 December 2016. Download the call for sessions, or visit the conference website for more information.

Tallinn (Reval), by Matthäus Merian, 1640Source: ETH-Bibliothek Zürich, Bildarchiv / Fotograf: Unbekannt / Fel_038335-RE / Public Domain Mark

Tallinn (Reval), by Matthäus Merian, 1640
Source: ETH-Bibliothek Zürich, Bildarchiv / Fotograf: Unbekannt / Fel_038335-RE / Public Domain Mark

Pumpkins for Missionaries

Bartolomeo_Bimbi_-_The_Pumpkin_-_WGA02200Bartolomeo Bimbi, Pumpkins, 1711
Source: Wikimedia Commons / public domain

Travel Provisions for the Journey to India

The Theatine Bartolomeo Ferro (c. 1633- 1706) published his Istoria delle Missioni de’ Chierici Regolari, Teatini in two thick volumes in 1704 and 1705.  After many chapters recounting the adventures and hardships of the order during their mission work in Asia, he concluded the final volume with a suggested list of supplies to pack for the voyage to India. When the priests departed from Lisbon they should make sure to take things like utensils for celebrating mass, and also ample non-perishable foodstuffs such as wine and cheese.  In a special mention he recommends pumpkins because they “last for the whole voyage…and make the best soup there can be.”

“Portino molte Zucche di Lisbona, perche durano per tutto il viaggio, e per il viaggio dell’Indie è la miglior minestra, che possa darsi”

– Bartolomeo Ferro, Istoria delle Missioni de’ Chierici Regolari, Teatini, vol. 2 (Rome: Gio. Francesco Buagni, 1705): 672.

Happy Halloween, and remember to pack a few pumpkins wherever you’re going.

Entangled Histories, Multiple Geographies: Program

EAHN 2015 Conference Program Now Online

The EAHN 2015 Regional Thematic Conference Entangled Histories, Multiple Geographies will be held in Belgrade from 14-17 October 2015. The conference program is now available online, and features twelve panels organized in four sessions of three panels each. The panels are further classified within eight tracks: Transfer, Politicized City, Ideology, Communities’ Roots, Historiography, Identity, Contested Heritage and Constructed Traditions. Three keynote speakers – Branko Mitrović, Eeva-Liisa Pelkonen, and Aleksandar Kadijević – and a concluding roundtable moderated by Ana Miljački frame the conference program as plenary sessions.

A detailed program for the session I will chair on 16 October, Contested Heritage, may be downloaded here as a PDF file. The images below give a preview of the themes to be covered by the five papers in my session.