Fortuna del Barocco in Italia. Le grandi mostre del Novecento

Book Launch: Proceedings of November 2016 Conference

Fortuna del barocco book launch invitation
As the work on the research project Antico / Moderno. Parigi, Roma, Torino 1680-1750 concludes, the second publication arising from the project will be presented at the Salone del Libro in Turin on 10 May at 16:30. Volume 2 in the series Quaderni di Ricerca of the Fondazione 1563 per l’Arte e la Cultura collects the conference proceedings from the November 2016 conference Fortuna del Barocco in Italia. Le grandi mostre del Novecento.

My contribution to the volume consists of a response to the talk by Joseph Connors entitled “Il barocco in Italia visto dall’estero. Le mostre di architettura.” View details of the other essays comprising the book in the table of contents. Looking forward to this volume documenting a very stimulating conference!

Publication

Di Macco, Michela, and Giuseppe Dardanello, editors. Fortuna del Barocco in Italia. Le grandi mostre del Novecento. Fondazione 1563, Quaderni di ricerca 2. Genoa: Sagep Editori, 2019.

Other news from the Fondazione 1563 per l’Arte e per la Cultura

● This is a great chance to note the new Summer School organized by the Fondazione 1563, entitled “Ripensare il Barocco (secoli XVII e XVIII). Nuove prospettive storico-critiche.” The Summer School takes place in Turin from 2-7 September 2019 and the deadline for applications is 31 May 2019. For more information, see the call for applications in Italian or English.

● The Fondazione 1563 per l’Arte e per la Cultura has also recently announced the seventh edition of its annual program of fellowships for postdocs or advanced doctoral candidates in baroque studies, Borse di alti studi sull’Età e la Cultura del Barocco Intitolate a Rosaria Cigliano: VII Bando – Edizione 2019. The five annual fellowships support emerging scholars under the age of 35. The application deadline this year is 27 July 2019. For more information, see the call for applications in Italian or English.

Antico/Moderno. Parigi, Roma, Torino 1680-1750

Research Project Website Online

For the past two years, the Fondazione 1563 per l’Arte e la Cultura has supported the research project Antico/Moderno. Parigi, Roma, Torino 1680-1750, which comprises several different strands of historiographic inquiry on the baroque, all coordinated by the scientific directors Michela di Macco and Giuseppe Dardanello. It has been a privilege for me to be involved in this stimulating initiative with such an inspiring group of scholars.

As the various working groups gradually wrap up their activities, the Fondazione 1563 has launched new webpages describing the research and presenting the resulting outputs. The project homepage outlines the components of the initiative. Each component, in turn, has its own webpage. Additional pages document the research outputs, in the form of videos and publications. To date, these include:

Conference Videos: Fortuna del Barocco in Italia. Le grandi mostre del Novecento

For those who missed the conference Fortuna del Barocco in Italia: Le grandi mostre del Novecento in November 2016, all introductions, papers, and responses from the meeting may now be viewed in fourteen videos. A separate volume of conference proceedings is forthcoming in the series Quaderni di Ricerca of the Fondazione 1563.

The opening remarks for the conference (video below) by the late Rosaria Cigliano, president of the Fondazione 1563, are particularly poignant after her premature death last month.

The conference examined issues concerning the reception of Baroque painting, sculpture, and architecture in twentieth-century exhibitions in Italy, with a special emphasis on Piedmont. For a summary of the conference contributions, see my earlier post on the subject.

Video Reconstructions of Historic Exhibitions, 1937 and 1963

The project component Barocco in Piemonte – Barocco in Europa: a cinquant’anni dalla mostra del 1963 involved several scholars working together with a seminar of students at the Università di Torino in order to reassess the history, historiography, and reception of the two large exhbitions of Piedmontese baroque art and architecture organized by Vittorio Viale in 1937 and 1963. Under the guidance of Sara Abram and Giuseppe Dardanello, the students worked to reconstruct the nearly forgotten exhibition of 1937, and compare it with the intervening evolution of the field as manifested in the second exhibition twenty-six years later. A forthcoming volume in the series Quaderni di Ricerca will publish this work, along with additional framing essays by established scholars.

Abram and Dardanello presented initial results of this research at the conference Fortuna del Barocco in Italia in the form of videos reconstructing the two exhibitions. The Fondazione 1563 has made both films available online as well as a third video introducing the reconstructions (below).

La Riscoperta del Seicento. I libri fondativi

The first in a series of six volumes produced by the Antico/Moderno teams, La Riscoperta del Seicento. I libri fondativi, edited by Andrea Bacchi and Liliana Barroero, publishes the contributions to a three-part seminar held in Rome in spring 2016. Covering the late nineteenth through late twentieth centuries, each of the sixteen essays revisits a fundamental text of the art and architectural history of the Baroque, and situates it within the international historiography on the period.

For more information, view the publisher’s flyer or the table of contents.

More to come…

Stay tuned in the coming months for additional research outputs from this initiative.

Fortuna del Barocco Conference Recap

The following material, mostly pulled from social media, offers a glimpse of the proceedings at the conference Fortuna del Barocco in Italia: Le grandi mostre del Novecento held in Turin last week (28-29 November 2016). Click here for the conference program. Thanks again to the conference convenors, Michela di Macco and Giuseppe Dardanello, as well as the Compagnia di San Paolo and the Fondazione 1563 per l’Arte e la Cultura for organizing and sponsoring such a stimulating event.

Monday, 28 November 2016

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Tuesday, 29 November 2016

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The screening of a film documenting the legendary exhibition L’idea del Bello. Viaggio per Roma nel Seicento con Giovan Pietro Bellori (Rome, 2000) concluded the conference, before the closing discussion.

Postscript

Fortuna del Barocco in Italia

Historiography of Baroque Art in Twentieth-Century Exhibitions

conference-poster

As part of its Programma di studi sull’Età e la Cultura del Barocco, the Fondazione 1563 per l’Arte e la Cultura has organized the upcoming conference Fortuna del Barocco in Italia: Le grandi mostre del Novecento (Turin, 28-29 November 2016).

The conference, based on a related research project headed by Michela di Macco and Giuseppe Dardanello, will examine issues concerning the reception of Baroque painting, sculpture, and architecture in twentieth-century exhibitions. The first day of the conference features a special emphasis on the exhibitions of Piedmontese Baroque art and architecture in 1937, 1963, and 1989, as well as exhibitions of Baroque sculpture and architecture in general. The entire second day of the conference will be devoted to exhibitions of Italian Baroque painting as reflected in shows focusing on the various regional schools in places like Bologna or Naples.

Speakers include Tomaso Montanari and Joseph Connors, and special appearances will be made by the grandes dames of Piedmontese Baroque studies, Andreina Griseri and Mercedes Viale Ferrero. I am delighted to be participating as a respondent for the discussion of architectural exhibitions.

Download the conference program for full information about schedule and venue, as well as the contact for RSVP (by 23 November).


Newsreel clip showing the eighteenth-century Peota Bucintoro gondola of the Savoy being transported to the Palazzo Carignano, Turin, for the 1937 exhibition Mostra del Barocco Piemontese
Source: Cinecittà Luce / YouTube

You Gotta Have Art

Sign Petition to Save the Detroit Institute of Arts

The title of this old commercial for the Detroit Institute of Arts says it all: please sign this petition begun by Professor Jeffrey Hamburger of Harvard University and addressed to Mr. Kevyn Orr, Detroit emergency manager.  As a Detroit-area native and former DIA employee, this cause is very important to me.

Petition Text

Prevent sale of works from the Detroit Institute of Arts

Dear Mr. Orr,

We, the undersigned, write to express our profound dismay at the news that the city of Detroit is considering auctioning off the collections of the Detroit Institute of Arts to meet the city’s obligations as part of the current bankruptcy proceedings. The Institute of Art’s collections are not only among the finest in the United States; they rank among the greatest in the world and contribute to the city’s international reputation. To sell them, in whole or in part, would seal the city’s shame, dispose of one of the most visible manifestations of its proud history, and inflict permanent, irreparable harm on the city as a center for culture, tourism and commerce. One doesn’t help a patient, even one who’s very sick, by cutting out his or her heart. We urge you to resist the pressures being brought to bear by creditors to resort to what would be an act of draconian cultural iconoclasm without parallel in modern times.

Yours sincerely,
Jeffrey Hamburger
Harvard University

Click here to add your name to the petition.