Fundamental Study Available Open Access
In 1890, the Modenese archivist Tommaso Sandonnini published a lengthy article on Guarino Guarini in the local history journal Atti e memorie delle RR. Deputazioni di storia patria per le provincie modenesi e parmensi. The text, entitled “Il padre Guarino Guarini modenese,” provided the first modern biography of the Theatine architect, an impartial account of his life based on archival sources. The same year, the study was issued as a stand-alone booklet (or offprint) of 54 pages, with a slightly altered title: Del Padre Guarino Guarini, Chierico Regolare (Modena: Vincenzi e nipoti, 1890). The contents of the two versions are identical.
On the basis of the Modena archives, Sandonnini’s investigation traces Guarini’s family origins and youth in Modena up to the point he left for Rome in 1639 for his novitiate in the Theatine order at San Silvestro al Quirinale. Sandonnini resumes his narrative with Guarini’s return to Modena for ordination in 1647, and follows Guarini’s early years as a priest at San Vincenzo, Modena, through the 1650s. Sandonnini notes Guarini’s visit to his dying mother in summer 1662, and presents information regarding his time in Paris via letters from the Vigarani preserved in the Modena archives. The archivist publishes correspondence between Guarini and figures of the d’Este court during the 1670s and 1680s. Other sections of the study give an overview of Guarini’s published books and major architectural projects. Sandonnini fails to recognize Guarini’s role in the design of the Theatine casa of San Vincenzo in Modena, but he posits the Theatine’s involvement in campaigns at the Palazzo Ducale, Modena (a theory since viewed with scepticism). In any case, he avoids a judgmental assessment of the baroque architect, in marked contrast to most 19th-century writing on Guarini’s architectural work.
Tommaso Sandonnini (1849-1926) studied law and worked as a notary before becoming director of the Archivio Storico Comunale in Modena in 1897. In this capacity, he was active in archaeological and preservation efforts in the city, and wrote numerous studies on a range of historical topics, particularly those involving Modena.
An extensive review of Sandonnini’s study by Natale Baldoria appeared the same year in Archivio storico dell’arte 3 (1890): 221-23. Baldoria opens his essay with some historiographic reflections on the study of Baroque art and architecture (“Soltanto da poco tempo incomincia ad essere studiata senza preconcetti, obiettivamente, la Storia dell’arte… Così gli artisti e le opere di quell’epoca [barocco], che tanto contribuirono colle loro invenzioni anche al progresso dell’ arte moderna, sono degni di studio e tali che sarebbe delitto se la storia non li ricordasse o li spregiasse.”) He thus acknowledged the radical break of Sandonnini’s article with previous discussions of Guarini. Nearly seventy years later, in 1958, Wittkower still deemed Sandonnini’s Guarini “An important study.”
Today, another sixty years down the road, Sandonnini’s article remains as fundamental as ever. Along with the works of Alessandro Baudi di Vesme and Augusta Lange who explored the archives in Turin, it furnishes the essentail documentary basis for Guarini’s life and career.
Thanks to Italy’s wonderful Internet Culturale and the Biblioteca civica Ubaldo Mazzini in La Spezia, the booklet version of Sandonnini’s study is now available open access online, and may be downloaded as a PDF for non-commercial use.
Tommaso Sandonnini, Del Padre Guarino Guarini, Chierico Regolare (Modena: Vincenzi e nipoti, 1890). [90 MB]
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On Sandonnini’s life and writings, see Giulio Bertoni, “Tommaso Sandonnini, 1849-1926” and Giovanni Canevazzi, “Bibliografia di Tommaso Sandonnini,” Atti e memorie della R. Deputazione di storia patria per le provincie modenesi, Ser. 7, vol. 5 (1928): 7-28 and 29-42.