EAHN 2020, Edinburgh: Call for Papers

David Roberts (1796–1864), Edinburgh from the Castle, 1847, Oil on canvas, Yale Center for British Art, Paul Mellon Collection
Source: Yale Center for British Art / public domain

European Architectural History Network Sixth International Meeting
Edinburgh, Scotland, 10-13 June 2020

The scientific committee for EAHN 2020 in Edinburgh has selected twenty-five sessions and round tables for the conference, and published the call for papers for these panels. I am no longer actively involved in the EAHN, but am delighted to see that the colleagues currently leading the organization have pulled together such a varied and stimulating program. For complete details on the call for papers, see the conference website and the listing of panels. An additional webpage provides a convenient overview of all the panels with their individual details.

EAHN 2020 CALL FOR PAPERS – DEADLINE 20 SEPTEMBER 2019

The call for papers (sessions) and discussion positions (round tables) is now live. The deadline is 20 September 2019, and proposals should be submitted to the Session Chairs, whose details may be found below. All proposals should include the following information:

· A proposal, in English, of no more than 300 words

· The title of the paper, or discussion position

· Your name

· Your professional affiliation

· A short curriculum vitae (maximum of two pages)

· A mailing address, email address and telephone number

Sessions will consist of either five papers or four papers and a respondent, with time for dialogue and questions at the end. Each paper will be limited to a 20-minute presentation. Abstracts for presentations should define the subject and summarize the argument to be presented in the proposed paper. The content of that paper should be the product of well-documented original research that is primarily analytical and interpretative rather than descriptive in nature.

Round tables will consist of five to ten participants and an extended time for dialogue, debate and discussion among chair(s) and public. Each discussant will have 10 minutes to present a position. Abstracts for round table debates should summarize the position to be taken in the discussion.

Please note: papers may not have been previously published, nor presented in public. Only one submission per author will be accepted. All abstracts will be held in confidence during the selection process. In addition to the thematic sessions and round tables listed below, open sessions may be announced in due course – details to be provided on the conference website.

Sessions and Round Tables:

● Urban planning during state socialism: global ambitions, national ideologies and local desires

● Public Health in the Early Modern City: Salutogenesis Through Architecture

● Ephemerality and Monumentality in Modern Europe (c.1750-1900)

● Splitted Cultures/New Dialogues: Research in Architectural History and Theory

● User Comfort, Functionality, and Sustainability as (Early?) Modern Architectural Concerns

● Shifting Identities of the Ottoman Vernacular

● Migration and Domesticity in the Long Nineteenth Century

● Cosmopolitanism’s Others: Transnational Architecture and Planning beyond Europe and North America

● Design as Process in Pre-Modern Architecture

● Rethinking Architecture for Friars: Process and Spatial Solutions in the Medieval and Early Modern Europe, 1200 – 1500

● English as the Academic Lingua Franca?

● The Urban Commons: Collective Actors, Architectural Agency and the City

● Multilateralism since 1945. From the Comecon to the Belt and Road Initiative

● The Role of Women in the Building of Cities in Medieval and Early Modern Europe

● Architects do not make buildings: A last call for disegno

● Drive-In Architecture, Carriage to Motor Age

● Radical Exchanges between Latin America and Europe in the Everlasting Sixties

● Hotels in the Global South and the Architectures of Contact Zones

● Empires of Heritage: World Monuments before UNESCO

● European Welfare Landscapes: Histories and Futures

● Southern Exchanges: Relocating Architectural Knowledge Production

● Territories of incarceration: The project of modern carceral institutions as an act of rural colonisation

● Flexibility and its Discontents: Techniques and Technologies in Twentieth Century Architectural Production

● Genius Loci: The Politics of Pre-Modern Architectural Style

● Cultivating the Child Eye’s View

EAHN 2020: Call for Sessions and Roundtables

European Architectural History Network Sixth International Meeting
Edinburgh, Scotland, 10-13 June 2020

Although I have stepped back from active involvement in the European Architectural History Network (EAHN), I am happy to note and share information about the preparations for the organization’s next biennial conference in 2020. After earlier international conferences in Guimarães, Brussels, Turin, Dublin, and Tallinn, the sixth edition will take place in Edinburgh. If you have been considering organizing a panel or roundtable on any aspect of architectural history – from antiquity through medieval, early modern, or modern and contemporary – this offers an excellent opportunity!

From the conference website:

Call for Session and Roundtable Proposals

The European Architectural History Network is delighted to announce its next biannual meeting at the University of Edinburgh, UK, 10-13 June 2020. In accordance with EAHN’s mission, the meeting aims to increase the visibility of the discipline of architectural history, to foster transnational, interdisciplinary and multicultural approaches to the study of the built environment, and to facilitate the exchange of research in the field. EAHN is a European organisation, but its intellectual scope is global, and the meeting welcomes proposals on any architectural historical topic. As well as topics on any aspect of the built environment, proposals on landscape and urban history are also very welcome, along with proposals dealing with the theories, methodologies and historiographies of architectural history.

Proposals are sought in two basic formats: (1) a Session, and (2) a Roundtable debate. A Session should consist of 4-5 paper presentations, with a respondent, and time for dialogue and discussion at the end. A Roundtable debate should be an organised as a discussion between panel members, and the format would suit topics of particular urgency, or contemporary relevance. Roundtables should also aim to activate audience discussion as far as possible. Sessions and Roundtables may be chaired by more than one person.

Anyone wishing to chair a Session or a Roundtable debate at EAHN2020 are invited to submit proposals by 31 December 2018. Chairs should make clear whether their proposal is a Session, or a Roundtable.

Please note that EAHN is self-funding, and chairs are expected to provide all their conference expenses, including travel and accommodation.

Deadline: 31 December 2018
Please visit the conference website to submit a session proposal, or for further information.

Rosaria Cigliano Fellowship Program

Fellowships on the Age and the Culture of the Baroque, 2018 Edition

Once again, I am delighted to share this information about the fellowship program for emerging scholars in Baroque studies run by my friends at the Fondazione 1563 per l’Arte e la Cultura in Turin. This year, the fellowship program has been renamed in memory of the late president of the Fondazione 1563, Rosaria Cigliano, who died in December 2017. The topic for the 2018 edition is “Landscape and Nature (1680-1750).” Please use the links below to learn more, and address any questions directly to the Fondazione 1563.

* * *

The Rosaria Cigliano Fellowship Program aims to assign individual fellowships to promote original studies on the Age of Baroque, also in an international comparative perspective.

Research proposals for the 2018 call will need to pertain to the following theme:

Landscape and Nature (1680-1750)
A fundamental indicator of the variation of cultural aspirations between the late Seventeenth and the mid-Eighteenth century is the representation of the natural world and the landscape. The Seicento is the century of scientific breakthroughs and sees the formulation of new theoretical canons of representation of nature, through a doctrine that aims to amend natural features and thus to improve on them. As modernity gains momentum, in the Eighteenth century nature reclaims its centrality and authoritativeness with a great variety of outcomes in the European centers of literary, philosophical, artistic, musical, and architectural production, where the new priorities combine, connect, mitigate and find liberation from the sedimentation of earlier traditions.

The competition is open to researchers born after 1st January 1983 holding a university or master’s degree, or other equivalent degrees, issued by an Italian or equivalent foreign University.

Priority will be given to applicants holding a PhD or equivalent from an Italian or foreign university.

Applications will be submitted exclusively using the forms available online and following the procedure indicated on the Foundation’s website under Chi siamo/Bandi/Procedure in corso/Borse di Alti Studi 2018 at www.fondazione1563.it.

Applications must be submitted by 22 July 2018 at h 24.00 (midnight).

Important: For the complete Notice of Competition for the fellowships, consult the PDFs in English or Italian.

Deadline 22 July 2018

Fellowships on the Age and the Culture of the Baroque

Deadline 16 July 2017

I am delighted to share this information about the fellowship program for emerging scholars in Baroque studies run by my friends at the Fondazione 1563 per l’Arte e la Cultura in Turin. The topic for this year’s edition is “The Portrait, 1680-1750.” Please use the links below to learn more, and address any questions directly to the Fondazione 1563.

* * *

The Fellowships Program aims to assign individual fellowships to promote original studies on the Age of Baroque, also in an international comparative perspective.

Research proposals for the 2017 call will need to pertain to the following theme:

The Portrait
Mandatory formulas, fortunate source of various models, vehicle of the affirmation of new directions in the narration of identity and in the culture of representation for figures, places, and contexts. The theme of the Portrait (as a genre, a product, an allegory, a testimony, and a memory) may be applied to various disciplines connected to historical, political, philosophical, musical, literary, historical-artistic, and historical-architectural culture, also with regard to art collecting, museology, art literature and treatises. The research proposal, unpublished and original, will need to focus on the period 1680 to 1750, it may follow a diachronic or synchronic approach depending on the scientific requirements of the project.

The competition is open to researchers born after 1st January 1982 holding a university or master’s degree, or other equivalent degrees, issued by an Italian or equivalent foreign University.

Priority will be given to applicants holding a PhD or equivalent from an Italian or foreign university.

Applications will be submitted exclusively using the forms available online and following the procedure indicated on the Foundation’s website under Bandi/ Borse di studio sull’Età e la Cultura del Barocco 2017 at www.fondazione1563.it.

Applications must be submitted by 16 July 2017 at h 24.00 (midnight).

Important: For the complete Notice of Competition for the fellowships, consult the PDFs in English or Italian.